God Indian Lotion

The mythology of "gifted land" is strong in the Park Service, but some of our greatest parks were "gifted" by people who had little if any choice in the matter. Places like the Grand Canyon's south rim and Glacier had to be bought, finagled, borrowed - or taken by force - when Indian occupants and owners resisted the call to contribute to the public welfare. The story of national parks and Indians is, depending on perspective, a costly triumph of the public interest, or a bitter betrayal of America's native people. In Indian Country, God's Country historian Philip Burnham traces the complex relationship between Native Americans and the national parks, relating how Indians were removed, relocated, or otherwise kept at arm's length from lands that became some of our nation's most hallowed ground. Burnham focuses on five parks: Glacier, the Badlands, Mesa Verde, the Grand Canyon, and Death Valley. Based on archival research and extensive personal visits and interviews, he examines the beginnings of the national park system and early years of the National Park Service, along with later Congressional initiatives to mainstream American Indians and expand and refurbish the parks. The final chapters visit the parks as they are today, presenting the thoughts and insights of superintendents and rangers, tribal officials and archaeologists, ranchers, community leaders, curators, and elders. Burnham reports on hard-won compromises that have given tribes more autonomy and greater cultural recognition in recent years, while highlighting stubborn conflicts that continue to mark relations between tribes and the parks. Indian Country, God's Country offers a compelling - and until now untold -story that illustrates the changing role of the national parks in American society, the deep ties of Native Americans to the land, and the complicated mix of commerce, tourism, and environmental preservation that characterize the parks system.

After viewing Indian rock paintings on a bluff above the Concho River near Paint Rock, Texas, in 1934, the late Dallas artist Forrest Kirkland was seized with an idea. He wrote later, "Here was a veritable gallery of primitive art at the mercy of the elements and the hands of a destructive people. In a few more years only the hundreds of deeply carved names and smears of modern paint would remain to mark the site of the paintings left by the Indians. . . . What was at first merely a suggestion in my mind soon became a solemn command. I was a trained artist able to make accurate copies of these Indian paintings. I should save them from total ruin." Kirkland devoted a good part of the rest of his life to copying pictographs and petroglyphs at some eighty far-flung sites in Texas. In The Rock Art of Texas Indians, his meticulous watercolor copies of this rich and diversified art are reproduced, 32 in full color, the rest in black and white. The informative and engaging text is contributed by W. W. Newcomb, Jr., former director of the Texas Memorial Museum and author of The Indians of Texas. The petroglyphs and pictographs reproduced here, states Professor Newcomb, "are relatively rare and absolutely irreplaceable human documents. They can often reveal much about the ways of ancient men, including aspects of life which otherwise would forever go unrecorded, for they may illustrate how a vanished, nameless people perceived themselves and their world, their relation to God and to each other, and their fantasies and fears. They are, then, a treasure to be valued and a heritage to be preserved.

The God of Small Things - The God of Small Things is a semi-autobiographical, politically charged novel by Indian author Arundhati Roy. It is a story about the childhood experiences of a pair of fraternal twins who become victims of circumstance.

Coyote Blue - Coyote Blue is a story by Christopher Moore about a salesman named Sam Hunter (formally a Crow Indian named Samson Hunt Alone) whose life is turned upside down by Coyote, an ancient Indian trickster god.

Emma-o - Emma-o is the god of the underworld in Japanese Buddhist mythology. He is the Japanese version of the Indian god Yama.

Non-resident Indian and Person of Indian Origin - A non-resident Indian (NRI) is an Indian citizen who has migrated to another country. Other terms with the same meaning are (somewhat self-deprecating in context) desis, overseas Indian and expatriate Indian.

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